- Full Moon Fever Slot Machine Both games have high odds and are tons of fun. Real Money Craps. This fast-paced casino card game is easy to learn and fun to Full Moon Fever Slot Machine play online. Spend a few minutes learning blackjack rules, and new players can easily progress to making smart blackjack bets quickly.
- 4 product ratings - Full Moon Fever by Tom Petty (CD, Oct-1998, Mobile Fidelity Sound Lab) $0.99. Time left 3d 23h left. 1 bid +$2.89 shipping.
- The Full Moon Fever is Halloween themed 5 – reel and 25 – payline slot machine with amazing bonus features from incomparable PartyGaming. Entertainment offers the intriguing mystical story and giddy drive. Just try to play and you will immediately feel the fantastic atmosphere of the emulator. Therefore the design looks quite impressive.
Album
Relationships
| associated singles/EPs: | A Face in the Crowd Free Fallin' I Won’t Back Down Runnin’ Down a Dream Yer So Bad |
|---|---|
| covers: | Full Moon Fever by The Pains of Being Pure at Heart |
| included in: | The Complete Studio Albums, Volume 1 (1976–1991) by Tom Petty and the Heartbreakers |
Full Moon Fever. @myklj999 (53950) United States. February 27, 2021 6:31am CST. 3 AM cloud cover had dissipated enough by 6:00 that I was able to try a few. Dec 06, 2008 impulse - Full moon fever jackpot BL4K. Unsubscribe from BL4K? MEGA WIN BONUS ON LEGEND CITY SLOT MACHINE! - Duration: 21:21. Neily 777 Recommended for you.
Full Moon Fever Game
| part of: | Rolling Stone: 500 Greatest Albums of All Time: 2020 edition(number: 298) (order: 298) |
|---|
Full Moon Fever Songs
| Discogs: | https://www.discogs.com/master/74304[info] |
|---|---|
| reviews: | https://www.bbc.co.uk/music/reviews/hfhj[info] |
| other databases: | https://rateyourmusic.com/release/album/tom_petty/full_moon_fever/[info] |
| Allmusic: | https://www.allmusic.com/album/mw0000197322[info] |
| Wikidata: | Q1754734[info] |
CritiqueBrainz Reviews
There’s 1 review on CritiqueBrainz. You can also write your own.Most Recent
After 11 years as the undisputed driving force behind his band, the Heartbreakers, Tom Petty had become global currency. Nothing underlined this fact more than his acceptance into the ranks of rock's elder statesmen/buddies as a 'member' of the Travelling Wilburys (albeit by accident, due to George Harrison leaving his axe at Petty's house). It was while taking this lighthearted sojourn that he began to write songs that, to his ears, sounded 'nothing like Heartbreakers songs'. Forming an unlikely alliance with the king of Beatlesque soft rock, Jeff Lynne of ELO, he immediately set to recording what was to be his first solo album.
Full Moon Fever Strain
Petty had always worn his influences on his sleeve: like many of his American peers preferring to see himself as part of a lineage rather than a new order replacing worn out models (ironically the Heartbreakers had been seen in the more easily iconoclastic UK as something akin to New Wave). But Full Moon Fever was a chance for Petty to both take stock AND openly acknowledge his influences. Nowhere was this more evident than on his cover of the Byrds' Feel A Whole Lot Better. Of course everyone over the age of 25 knew that he sounded just like Roger McGuinn, but here the uncanny resemblance was made plain. Other songs addressed nostalgia while examining how he'd reached this level of success. Hit single Free Fallin' mistily looked back at a childhood sweetheart ('She's a good girl, crazy 'bout Elvis... I'm a bad boy for breakin' her heart') left in his wake as he left Florida for the West Coast in search of stardom, while Runnin' Down A Dream mentions the teenage years of listening to Del Shannon. The album's other hit, I Won't Back Down, similarly 'fessed up about the hard-nosed attitude needed to make it in such a cut-throat business.
Full Moon Fever Strain All Bud
What also marks this as different from previous work was the movement away from harder edged rock, using the production methods of new pal Lynne to coat more introspective songs with lush, multilayered acoustics and keyboards. It also marked the point where Petty knew he was a big enough name to step out sans a band moniker, even though both Mike Campbell and Benmont Tench appear on the album. From this point Petty was a 'classic' artist'. Whether with the Heartbreakers, playing with Dylan or even the Wilburys, he'd reached the apogee of his ambition: destined to be played next to his childhood heroes on the FM airwaves that blew through the Californian night.